What They Say About  Jazz Expos$(D??(B 
•       $B!H(BI have been unable to put the book down, as I find the Museum$B!G(Bs story very fascinating! $B!D(BI remember West 55th Street very well, and I was saddened to hear of the building's fate.$B!I(B RJR

*    $B!H(BJAZZ EXPOSE - the New York Jazz Museum and the Power Struggle That Destroyed It is a book conspiracy theorists are going to love.$B!I(B http://www.jazzsite.co.uk

*    $B!H(BMost people don$B!G(Bt know that between 1972 and 1977 the most significant institution commemorating the history of jazz was the New York Jazz Museum. In fact, most people probably don$B!G(Bt even know that it existed. And yet the story of the rise and fall of this museum is a great one. $B!D(Bthe story of the museum in its entirety with fresh, amusing anecdotes. Fischer has not only resurrected an important New York landmark on paper, but has written a book full of interesting trivia, personal histories and glimpses of jazz greats and their legacies.$B!I(B
International Musician/American Federation of Musicians

•       "You make a very strong, positive impression on me in many ways: your fairness to the other side; your concern for jazz artists not just as machines grinding out entertainment but also as human beings, often exploited and self-destructive; your very precise, logical, verbal distinctions; your honesty about your negative traits; your idealism in your giving yourself so fully, even so fanatically, to a cause in which you believe. I don't see many of my fellow lovers of classical music sacrificing to promote it in the way that you have promoted jazz." JM

•       $B!H(BJazz Expos$(D??(B is sure to be a good, gossipy, 135-page read. For the non-trashtalkers out there, Fischer also writes all about the museum$B!G(Bs 25,000 item archive of jazz and the programs the museum presented during its brief existence. And there are words from Louis Armstrong, Duke Ellington and other jazz luminaries sprinkled throughout.$B!I(B JazzTimes

•       $B!H(BYour book brought to me a refreshment of memories about the music, people and places that you and I have loved for most of our lives. I would have enjoyed following you around before and after the Museum, carrying your briefcase, seeking contributions to keep things going. The book has renewed my interest in doing something appropriate with the scores of LPs from the 1950s, 60s and beyond. Retirement next year will benefit that effort. Thank you for the book. Thank you for working so hard to do things well.$B!I(B DB

•       $B!H(BThis book will satisfy both the cognoscente and the fan alike. The information and the news items contained in this 133  page booklet bring the glory days of jazz to life and detail the devious side of the jazz world with all its seaminess laid bare$B!D(B.The true music lover will find this book the ultimate inside story of the top jazz musicians of the era and the sad ending of an wonderful idea extinguished by infighting and jealousy.$B!I(B JohnnyJazz

*    $B!H!D(Bjazz scholars and fans will find gem after gem of knowledge packed tight within the thin volume. It seems as if Fischer had enough material to fill a book three or four times this size; such an expansion would be well warranted by the sheer quality and amount of information.
      Though flawed, the first three-quarters of the book make for fascinating reading, if only because this information has probably not been collected anywhere else to date. Jazz fans will encounter stories and tales about the likes of Duke Ellington, Louis Armstrong, and Benny Goodman that are not on record in print anywhere else.$B!I(B Blogcritics.org.

•       $B!H(BFischer was the key figure in the creation of the New York Jazz Museum in 1972, an establishment that lasted until 1977, yet has somehow been essentially stricken from the history books$B!D(B.Why this hasn't gotten more currency or exposure within the jazz world is a mystery, because the story presented iin Jazz Expos$(D??(B clearly merits more recognition and evaluation.$B!I(B Nashvillecitypaper.com.
 
$B!H(BFischer's story is an eye-opening account of the legal hassles and business strategies enendemic to such ventures, but is also full of great jazz stories involving many major musicians of the early and mid-1900's who were still flourishing at the time.$B!I(B Cadence Magazine

See Amazon or Smashwords